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Noah Webster's 1828 American Dictionary

February 9, 2012

Project::Noah

It is not only important, but, in a degree necessary, that the people of this country, should have an American Dictionary of the English language; for, although the body of the language is the same as in England, and it is desirable to perpetuate that sameness, yet some differences must exist. Language is the expression of ideas; and if the people of one country cannot preserve an identity of ideas, they cannot retain an identity of language.

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allegory

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allegory

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1828 Definition

AL'LEGORY, n. [Gr. other, to speak, a forum, an oration.]

A figurative sentence or discourse, in which the principal subject is described by another subject resembling it in its properties and circumstances. The principal subject is thus kept out of view, and we are left to collect the intentions of the writer or speaker, by the resemblance of the secondary to the primary subject. Allegory is in words that hieroglyphics are in painting. We have a fine example of an allegory in the eightieth Psalm, in which God's chosen people are represented by a vineyard. The distinction in scripture between a parable and an allegory, is said to be that a parable is a supposed history, and an allegory, a figurative description of real facts. An allegory is called a continued metaphor. The following line in Virgil is an example of an allegory.

Claudite jam rivos, pueri, sat prata biberunt.

Stop the currents, young men, the meadows have drank sufficiently; that is let your music cease, our ears have been sufficiently delighted.

1913 Definition

Allegory (allegory)
n.	((?))
Al"legory
; pl. Allegories ((?)). [L. allegoria, Gr. (?), description of one thing under the image of another; (?) other + (?) to speak in the assembly, harangue, (?) place of assembly, fr. (?)

A figurative sentence or discourse, in which the principal subject is described by another subject resembling it in its properties and circumstances. The real subject is thus kept out of view, and we are left to collect the intentions of the writer or speaker by the resemblance of the secondary to the primary subject.

Anything which represents by suggestive resemblance; an emblem.

A figure representation which has a meaning beyond notion directly conveyed by the object painted or sculptured.

Syn. -- Metaphor] fable. -- Allegory, Parable. "An allegory differs both from fable and parable, in that the properties of persons are fictitiously represented as attached to things, to which they are as it were transferred. . . . A figure of Peace and Victory crowning some historical personage is an allegory. "I am the Vine, ye are the branches" [John xv. 1-6] is a spoken allegory. In the parable there is no transference of properties. The parable of the sower [Matt. xiii. 3-23] represents all things as according to their proper nature. In the allegory quoted above the properties of the vine and the relation of the branches are transferred to the person of Christ and His apostles and disciples." C. J. Smith.

An allegory is a prolonged metaphor. Bunyan's "Pilgrim's Progress" and Spenser's "Faërie Queene" are celebrated examples of the allegory.

Noah Says...

Language is not an abstract construction of the learned, or of dictionary makers, but is something arising out of the work, needs, ties, joys, affections, tastes, of long generations of humanity, and has its bases broad and low, close to the ground.

Sketches for commissioned Noah Webster Art

The sketches to Re-capture the Spirit of Noah Webster are finished. Thanks to Dave McClellan for all of his hard work. These sketches are a starting point for a discussion. The current poll gives you a chance to vote on a particular sketch. Elements can each sketch can be implemented into a final composition. The final composition will be digital composition in full color. Please participate with us as we proceed with this process. We are in the process of learning from the Noah Webster House more historic details about his office, his desk, etc.

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Project::Noah

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The foundation for American Heritage Access [AHA] strives to capture the essence of American culture with an intent to make early American manuscripts accessible to modern society. We believe that the successful future of this country is dependent on honoring and respecting its past. In order to achieve this ideal, several projects will be introduced and executed. The first initiatives of Project::Noah will involve the accessibility of the 1828 American dictionary.

Vision::Reprint

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The first vision, Vision::Reprint, has an intent to make a modern printing of the first dictionary of the American language available to the public for under $25. The first task, Task::Access, involves the digitizing of the original 1828 dictionary. The dictionary is available in microfilm (American Culture Series, Reel 335.6-336.1, Michigan University Microfilms) at many universities. To digitize the microfilm as a batch process requires a special scanner.

Vision::Redesign

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The second vision, Vision::Redesign, has an intent to improve the current online accessibility to the 1828 dictionary. Beyond the Task::XML, other tasks related to this Vision::Redesign include identifying features and functionality for this new website. In addition, plugins will be discussed and created to make the dictionary accessible in other ways: iPhone, Google widget, Firefox Add-on, etc.

Vision::Recapture

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The third vision, Vision::Recapture, has an intent to evoke the importance of Noah Webster in our American Heritage. This vision will manifest itself in a commissioned painting of Noah Webster. The process involved will require the input from concerned Americans. The final commission painting will be derived from initial sketches and digital compositions. Feedback from the community is essential for this vision's success throughout the entire process.

February 9, 2012